returning to the plus 8 fold once more, paco osuna is one of spains finest electronic exports. having made a name for himself with a residency at amnesia over a decade ago, he hass since gone on to play places like watergate, fabric and movement festival, all the while holding down a residency for barcelonas club4 night at city hall. his experience in the studio goes way back, too, with releases on drumcode and minus as well as mindshake - the techno imprint he founded in 2005. the osuna sound has never strayed too far from the pulsing heart of the dancefloor - despite investigating everything from dark and fierce to stripped and raw techno - and thats the case once again on his four ep …

we present you the newly born imprint outernational recordings. the kick off for this unique vinyl series is by basque county native kastil who sets the right tone with three wonderful disco edits at a mid-tempo / slomo pace. since uploading these tracks to his soundcloud page, the feedback has been enormous. side a contains the long, slow and loopy back to philadelphia, where kastil cleverly plays with the vocals and delay and creates a highly tense build up. theres no doubt that some large players in the very popular disco edit culture will play this one out. on the b1 side you find the track smd. a track which received great feedback by some key figures on soundcloud. this track is the ultimate pre-lude for the summer. fortunately, this is being released just early enough to enjoy this during the european and northern american summer. with again beautiful vocals floating through the track, this track definitely reminds one of a hot day in the local park. the b2 track is called rolls royce. perfect as the last track of this release since its a long edit which ends with a very atmospheric piano solo that keeps on floating through the last few minutes of the track. all and all, these edits will definitely make some heads turn after the date of release. supported by: cosmic boogie, dicky trisco, the legendary 1979 orchestra, sleazy beats recordings, ben la desh, 78 edits, osvaldo wilson, mannmademusic, gitchell moore

new label by third ear records and what a cool first release!!! groovemental is bringing explosive jazz versions of two classic dance tracks! side x: dumb machines version of theo parrish,s falling up is based on the carl craig version of the track rather than the version recorded by theo. one of the biggest house tracks of the 2000s and a recognised classic. dumb machines have introduced words. the word falling is intoned throughout the track and the second stanza from louis macneice,s poem snow is recited. side y: written by tori amos. dumb machine,s version is based on the armand van helden remix. he created an irresistible dance groove, selected a few choice vocal samples, which became part of the clubbers lexicon, to create one of the biggest dance records of the 90s. dumb machines have gone back to tori amos lyric, taken various lines from the lyric and cut and pasted them together. two very inspiring jazz tracks for the house and techno generation, and for everyone else too of course! been on high rotation since we got it in stock!! recommende

gerd is delivering at the moment! after releases on clone royal oak, philpot, a big re-issue on rejected, great remixes on 4lux and delusions of grandeur its time for him to release on his own 4lux label! a massive chicago influenced track called h.o.u.s.e. featuring the voice of l.b. bad, the prince of dance music. this track was originally penned in 1994 when gerd had elbee over to tour the benelux. the track was released on an obscure limited edition white label only back then, but here a new rework of these old recordings. 2011 sees the track remixed by gerd himself and he takes the tune into rough & uncompromising analogue territory with filthy synth bassline and relentless tr808 action. seriously good track!! jakob korn, arttu and neville watson are on remix duty and deliver some fresh remix that complete this record. recommended!

ratio? strikes back again with a two-track-release from san proper this spring / summer 2011.

last vinyl-release on parquet rec. before summer brings us one of the biggest release this year! solees arena- melting monstertracks >reflect< & >legends are back with brandnew remixes by no one less than global-player mr. dave seaman (audio therapy / global underground), the italian masterminds egostereo (mcgroove / renaissance), the incredible oliver schories (ostwind / mgf) and newcomer dave wincent!

franck roger is back with mandel turner for a massive summer hit !early djs supports and feedbacks by quentin harris, robert dietz, dennis ferrer, ryan crosson, steve bug, jef k, dj deep, lee curtis, sebo k, nick curly, ralph lawson, sascha dive, jimpster, manoo, tony humphries

mini lp in limited clear vinyl and pink sleeves! 300 copies only

proper heat slid onto the nangsphere last year with their nifty >we are ready< ep. they certainly were… good reception all around and some fine plaudits. fast forward on 6 months and we are really pleased that the follow up >move ep< hits the streets. proper heat are from lithuania and are made up of martin virgin, saxtone and some fine vocals from karolis ramoska. laid-back, accessible disco house is the order of the day with this ep. we have two finely voiced tracks. dulcet tones and catchy songs abound with karolis doing a fine job in the voice department. lead track >the move” is mid tempo groover. mixes from nang label new-long-found-friend james bright and label stalwart (and supertop photographer) ichisan… you are always a subject when you are in the same room as this guy…. snap snap snap. james grooves it up with tight synthy bass and ichisan gets electronic and rolling. you can check out the video for >the move< on youtube and our home page too. the equally able >get ready< also makes a strerling appearance on the ep. another fine disco groovoid song. all in all the package overflows with extra dubs and instrumentals. bountiful disco abounds.

last year breakbot delivered valentines day perfect soundtrack. hes back with this summers anthem fantasy r.i.p mj, say h.e.l.l.o to l.as ruckazoid whos singing on this new single from our funky bot. arthur baker, jacques renault and carte blanche on the remix side, we cant go wrong. yes, this summer will sounds better with breakbot (again) - vinyl + download card

pattern select aka milton jackson and show-b have gone well and truly back to the raw on this, their first collaborative work together and debut ep for delusions of grandeur. both producers have been busy on some top quality projects just recently with milton jackson remixing recloose for planet e and show b producing for robert owens on compost. the pair met at a party in munich, promptly fell in love, and soon enough pattern select was born. kicking off tale of the tape sees the pair go deep n dark on this low-slung groove where demonic laughter rides the driving hats and insesant crashes until the filtering arpeggiated synth line joins the fun. tale of the dub gives us a stripped back, dub-infused version which goes a little lighter on the craziness of the first version but without losing any of the deep, hypnotic funk.

dr.gonzo is the new monstrous sound of italian duo phra & bot aka crookers. the new gonzo project, that features swedish two-piece savage skulls alongside canadian producers neoteric and wax motif, sees crookers go back to their roots, serving up three absolute club bangers! bust em up is an aggy assault on the senses, get the f**k out my house is another furious concoction of anger, energy and fun, whilst springer, the third in a serious of high tempo crook/skulls productions is probably the most outlandish. with serious depth and venom this jaunt to another crookers planet is helped along with an insane spring/bounce cartoon-esque sound effect that one can’t help but effected by

the beginning of a new era. founded in 2005 by thomas wendel aka don williams the beloved seminal imprint with cult status mojuba is facing the next level with the debut album kawasaki by stereociti from tokyo. when in 2005 the first sounds of mojuba were introduced to the world, people quickly realized that there is something very special going on different to the usual house or techno business … it was something more emotional, more personal, somewhat more deeply rooted! stereociti aka ken sumitani is truly one of japans finest when it comes to uncompromising underground dance music with heart & soul, whether it is the realm of deep house music or the darker moods of detroit techno. you can actually feel that his roots go far back into the early days of electronic club music but never lose sight of the history of soul, funk or dub. his debut kawasaki, named after his hometown, is delivering the quintessence of what is considered as the mojuba sound. being capable of such a musical sense, it was no wonder that the other mojuba family members nick solé, sven weisemann and oracy welcomed stereociti very warm. so if you are new to the world of mojuba, please tune in and enjoy the journey! kawasaki is a timeless piece of music, equipped with everything you need for an outstanding album experience. it will take you by the hand from the very first moments and will be there for you second by second, minute by minute, hour by hour, day by day until you let it go

next up on deep vibes comes sascha dive with his killer remixes of matthew dears >little people (black city)<. originally released on spectral sound (spc 101) as a digital-only package a vinyl edition had to follow due to public demand. for maximum sound quality the 20 minute version got shortened to a 15 minute >vinyl cut< (a1), while the >dub remix< comes in its original form on the flip-side (b1). sascha dive and matthew dear met on the road a few years back. in 2008 matthew dear featured a remix by the deep vibes boss on his watergate mix-compliation. when they played together in munich in august 2010 dear asked dive, if he wanted to do a remix for his upcoming album. the only condition dear asked him for was that it had to be the wildest and most crazy remix that dive could possibly do. little people (black city) is the probably strongest song of matthew dears recently released album black city. sascha dives remixes are on heavy rotation and played by a wide range of djs. make sure you get this joint in the box!

following his two recent singles on scubas hotflush recordings, london based george fitzgerald is back with his much-anticipated third release and his debut for aus music. titled silhouette, the three-track ep includes two originals and a remix from american producer john roberts. fitzgerald once again manages to create a world in which garage, dubstep, house, r&b and a host of other musical influences happily co-exist. on silhouette hints of warm acid, layered oscillating synth lines, propulsive beats and fitzgeralds signature use of vocal samples make this a peak time affair, albeit an incredibly lush one. reset is eight minutes of forward thinking uk garage combined with the melodic sensibilities of detroit techno. for the silhouette remix, roberts develops a relentless broken groove, occasionally punctured by brief piano interludes that recall the sounds of his 2011 debut full-length on dial records, glass eights. a breathtaking remix that sounds like nothing else out there at the moment. in addition to silhouette, fitzgerald currently has remixes out for french house producer brawther on secretsundaze and uk bass artist throwing snow, as well as an upcoming ep on hotflush and a track on the labels recent compilation, back and 4th. this year will also bring the founding of man make music, a new label fitzgerald is starting with friends.

the -makeovers- project is a compilation of some of claudes best re-twists, some of which are so far removed they can almost be considered original works. this special edition vinyl includes one of the most sought after remixes, -warpaint- originally by pocket 808 in australia, vonstroke turned this into a late night anthem in 2007. played by techno djs, dubstep djs, and everyone in between this track was never cut to vinyl until now. on the flip side claude remixed the nublu orchestra out of new york. he was never completely happy with the original version of the remix and hes gone back and re-made it into a very special piece of music including a new vocal sample from his wife aundy who also did the vocal effects in whos afraid of detroit? this collection was put together with the theme that a remix can be an inspiring starting point for an entirely new piece of music. these are two of the deeper and darker remixes but we think you agree they are also very special.

welcome back sebastian s solo work! after the excellent his first mix cd wa wu we and first solo ep voices around the fire , he came back with two excellent songs. on a side, alva is dubby, psychedelic house. it sounds like more techno version of omar-s. this track will be great dj tool for everyone. on b side, lyssna då björkarna viskar is peaceful ambient house with the sound of bird s singing.

after his last ep on stil vor talent in 2009, born-and-bread berliner sascha braemer is now back with three fresh tracks for the spring of 2011. in the meantime, his funky minimal jump-up tech-house has led him to release on labels as prolific as kindisch or dirtybird. things kick off with >belle<, a ferocious attack on your groove muscles and dancing bones. this tune glides as softly as the wings of an angel while shaking you around like a giant would a dwarf. the up-beat groove is based on a great cut-up vocal sample and some animating synthesizer stabs. sweet! then, >felicitous<, which is considerably slower than the previous two tracks. still, the vocal on this one and the deep electronic body come together perfectly to form a deep and dirty suckerpunch to your euphoria synapses. last up is >people< keeps the effected vocal approach and that really makes this tune. imagine a super deep bassline, some wonderfully syncopated hi-hat trickles and a constant groove to underline the power of the vocal. this track is club pop - so deep and yet so magic it will run shivers down your spine on the breakdown. sascha braemer seems to have put all his experience of peak-time club moments to early morning afterhour visions into his own transcript of signature sound. this is not be mistaken, this is simply on-point

nice price deal !!! the emergence of (another) very british sound in the form of dubstep some years back now has mutated into something altogether more cerebral. the chain are a product of this incipient sound and the many new strands that have splintered forward from it. dan foat is one half of the team that runs r&s, the newly invigorated label that is back at the forefront of contemporary electronic music. he’s also one half of the chain. dan & nathan boddy have for a while now had a studio near london bridge, which has formed into the r&s engine room, a hub for the second wave of their artists, pariah, james blake, space diimension controller et al who regualrly pass through the basement to drink tea and listen to new tracks.

after the success of his #1 last album >ready for the weekend<, calvin harris is back with a stonker of a new single >bounce< feat. kelis released in june through columbia records

vinyl only release! ultra limited white coloured vinyl edition one from 80 white vinyls world wide. great acid touched tech tracks on the quality vinyl. first pressung comes with handmade 2 color silksreen artwork. so be fast

vinyl only release! great acid touched tech tracks on the quality vinyl, quality music, quality artwork. first pressung comes with handmade 2 color silksreen artwork. so be fast

composite records is back with the second ep by tiago fragateiro. the original is a deep, solid and floating song with warm keys and, of course, the lovely voice of tracey k. than you will find two killer dub remixes by alain ho and jay shepheard, first one, a deeper and sexy journey with a massive bassline and groovy synth! on the other hand, jays takes you straight to the point, into a hypnotic state of mind, again with a powerful bassline.
have fun with it and dont forget to handle them with care...

andre lodemann is being heralded by many as a leading light in deep house, with a solid back catalogue taking in labels such as simple, moods & grooves, best works and room with a view.

transmissions sends us four intercepted signals from the mothership hovering over the motor city primed for the peak-time dancefloor that range from outer space techno trips to alien hip-shaking deep house. theres no fads here and no so-hip move faking, just quality in its purest form, and that alone can seem alien back on earth in these times…

we are back for another slab of genre-defying, ass-kicking, booty-shaking, timeless underground beats. get the curse music 07 features two cuts from the mysterious crackboy and two remixes from rising star gesaffelstein & toronto’s james teej. the question of crackboy’,s identity is burning everyone’s lips. who’s hiding behind this oh-so poetic moniker? theories abound, and rumor has it crackboy was last seen smoking on his pipe in the filthiest dens of the parisian underbelly. efforts to trace him since then have proved fruitless and until the next sighting, the enigma remains.
in spite of all this mystery one fact is crystal clear: with early feedback from ed banger’s busy p reaching the same conclusion that crackboy’s productions are solid gold, this is an ep with substantial crossover potential that will put the whole scene on the same wavelength.
support from joris voorn, steve bug, konrad black, laurent garnier, busy p, mathew dear, roman flugel, stephan bodzin, deetron, dubfire, kiki, gregor tresher, norman nodge, dj feadz, the hacker, remain, cosmo vitelli, arnaud rebotini, tobi neuman, erol alkan, ewan pearson...

somethinksounds put their name on the map last year with eliphinos wildly successful debut release >the undivided whole< ep. this year the label is back with their second 12inch, >the slow ground< by newcomer, lucky paul. this release is part one of an impressive aural package and comes complete with three remixes, most notably a worldwide exclusive first from g$ vs gold, gadi mizrahi of wolf & lamb and eli gold of soul clap, respectively.

das neue kraak & smaack album mit vocals von u.a. den legenden romanthony & lee fields!

marius takes a break from his recent studio lp work with prins thomas and delivers another killer release on maxi discs. continuing his journey into ny influenced dance music, he unleashes >glow of filter & dub< an epic 10 min ride into the musical world of legendary clubs like the paradise garage and body & soul that inspired him. it even has an old school drum break to drive your dance floor crazy. you can smell the sweat on this one - work it! on the flip, deep house heads 6th borough project work their subtle magic on >love gun< and create a house vibe that is deeper than deep. while disco deviant dicky trisco strips back >glow of filter & dub< to the bare essentials and works it to the max in a tribute to early tony humphries proto - house style cuts like ma foom bey.

picture this...you are a bear who has just awaken from hibernation. hungry, thirsty and having listened to nothing but your own heartbeat through the cold winter months, you reach for brian kage s newest 12”, bear trax volume 2. on beretta red. pressed onto juicy salmon-red colored vinyl, brian kage (beretta / planet-e ) dives ever deeper into his sound to create an enviroment within the songs to fall into and get lost. exploring a world that is dreamy, aquatic, and organic, kage creates a completely different kind of house, one that harks back to the days of its very roots in classic detroit techno.

dj t.s pleasure principle immersed itself, wholly and rapturously, into electronic musics legacy of soul, and helped to usher in a new period of groove-heavy deepness. like an antidote to clinical club sounds, album standout tracks like sense inject some well needed groove into the dancefloor. the maxi version of sense partners faraway melodies with james teejs breathy vocals that get up close and personal. a deep electro funk bass riff establishes its intent, and snaky percussion leads to a more structured house beat. piping flute sounds and drum echoes add an element of swing, while analogue handclaps and the tracks distinctive bass line recall its retro pedigree. newcomers tale of us continue their journey into dark minimalism, with a remix that isolates the percussion and vocals, shrouding both in reverb for maximum atmospheric effect. a sense of unease pervades through the saturated bassline and slow delayed handclaps, creating frosty mists and dark corners within the synth-tech house arrangement. hot natured duo lee foss and jamie jones next bring their sunny midas touch to the proceedings. teasing out the intro with high hats and layered vocals, a sense of anticipation is high. it blooms into sleek, skittering beats and otherworldly sounds, with a bass line thats been cut & paste back into place, before it delves deeper into a menacing deep bass synth rumble. the club version begins with a kick, deep echoes and meek percussive sounds that loop upwards through the scale. the distinctive bass line and handclaps begin, then teejs unadulterated vocals are pushed to the fore. brittle metallic synth flares appear from below the bass-heavy beat and recede again, ending in an electro-disco retro groove

netto houz are back with an extended and newly mastered version of >bad man speaks<, first released on their album >room 7107<, published on ladomat 2000 in 1998. >the prince of dance< elbee bad explains the difference between house and house music to an oldschool four-four- rhythm running on 113 bpm. the flipside of the 12 inch contains the previously unreleased deep house summer track >knuggles<, which builds on beautiful chords with a live rhodes piano jamming to it. berlin based knuggels recordings, run by dj kriton together with netto houz, is planning further to release new and previously unreleased material by netto houz as well as edits and remixes of their tracks from the 90ties.

for all the wonderfully subtle shell-breaking he did on his full-length, mark e falls back on old, slow habits for his new single, >the day<. and welcomely, we might add. pitching things down to a basement lounge floor crawl, the midlands dj/producer wraps his always chugging kicks and snares in serpentine synth-bass, jazzy, tripleted hi-hats, and moaning, wordless soul vocals. its grasp is tantric—hinting coyly at ecstatic release, but never fully delivering. for the vinyl junkies that bought stone breaker and missed out on it the first time around (it was absent from that version), this release should be a no brainer. but >the day< isnt carrying all the weight here. a new track called >special fx< will have sample hounds—particularly those with a thing for classic electro-pop—salivating. and the oft imitated, never replicated prins thomas shows up on the flip for a (naturally) eleven- minute revamp of >the day<, livening up the bass and drum patterns, adding in strings, piano, guitar, organ, and ending up with something that totally could have emanated from a camaro at some point in the early seventies. (albeit, one owned by someone with interest in eleven-minute instrumentals.) it even has a fade out!

already in the forth installment, claap continues its streak of quality releases. this time label head gummihz is back with a breazy and grooving maxi titled >head rush<. featuring four new cuts welcoming the summer heat. >head rush< is a captivating piece reminiscent of that 90s ny house sound. it is a nod to the past with a touch of now. breezy and cool, with the sort of drums that will keep the floor pumping. the drums out mix is a more pumped out version of the original, stripped down to the drums and voices. >secret voyage< taps into a more ballearic atmosphere. a captivating arpeggio draws the frame to a very elegant arrangement of organic rhythmical elements. >ruff passage< is a dubbier cut which was created to remind you of previous house producers of the ruff, think everybody be somebody (ruffneck)!! a must have for all occasions to keep the heat on!!

jb aka james braun, creates music as if it were sonic sculptures chiselled with kicks, snares, drums and synth-bass, is back with three new dance floor monuments for you to worship. *a. on massacre jb succeeds in creating a horror universe that can make even the most hardened detroit fan become insecure and frightened when standing alone on the berghain dance floor. but fear not, for its only music and if you flip the record, youll become entranced by the melodic *b1 retrace your steps. a musical odyssey back through time that literally retraces jbs own steps and makes you think about who you are and where you came from. *b2 slapper is musical meditation that yields unbridled joy and chilled out bliss…and makes you send eager kisses towards the sky where the benign, chubby gods of music laugh heartily and scratch their white beards and ample bellies while returning your kisses, mwah!, and uttering you ravey, little rascal! we will provide for you as long as you remember to appreciate us. please enjoy the new record from james braun. tartelet records 2011

just when you thought that greasy delicious extra helping of biscuits n gravy was enough to make a movement, flapjack records busts into the breakfast mix with >gut bombs< by our bowel friendly funmaker nate laurence. nate laurence of the famed duo scrubfish n laurence first appeared flapjack records back on flap003 with a snappin remix. since then nate has gone off on his own cooking excursion to get a little greasier and dirtier up in the kitchen. >gut bombs< is testament to his grits n gravy dance floor gut bombing new style. dig it, but stay close to a bathroom

after a short hiatus, the highly sought after hot natured re rubs series is back. forth in the series features four great re-edits by jamie jones, lee foss, miguel campbell and richy ahmed & s.a.s. richy and sas open the proceedings with a dirty ass slice of downtown funk and street hip hop, lee foss (modern amusement) slows the pace down and get’s stuck in to a sick 80s jam. on the flip and jamie jones delivers a perfect disco summer groove, whilst miguel campbell delivers another 80’s inspired killer! its gonna be one hot summer at hot natured mansions…

the latest release from the fizzy duck camp comes with the inclusion of a fantastic new artist from france, florian muller. we also have a fantastic track by carlos nillmns - >cielo< made by carlos in homage to the cielo club in new york and the sound that anthony parasole is playing there. fantastic piece of music by mr nillmnns. the third track on the 12 inch is carlos nillmmns & ian elgey back again on la derive de nuit, a summery vibe house track with a sweet bassline and deep sound to it.
supported by orlando voorn, keith worthy, paul mac, youandme, frenchy, james johnston (4lux), erell ranson ...

a true showcase of vesicles creativity, versatility and dark bassline science, the we are lost ep contains 4 deep and dark dubstep excursions and makes a strong case for this finnish duos inclusion among the genres best and brightest of the new generation of sound visionaries. the title track we are lost is a beautiful, dark anthem combining haunting vocals with live guitars, intricate melodies, precision drum programming and fat slabs of bass. the result is a well-rounded, catchy and melancholic masterpiece. smoke curls switches up the program, engulfing the listener in deliberately lo-fi sound fx and percussion whilst conjuring up deeply emotional, melodic bliss by juxtaposing a dusty piano with a soaring, distorted, filtered leadline of 8-bit chiptune charme. destined to become a dark breakstep anthem,mythos harks back to the late 90s metalheadz sound with its epic synthlines, eery vocals and massive, growling reece bass constructions. redemption completes this vicious circle with a journey to the depths of darkness, attesting to vesicles true mastery of uniquely filthy bassline construction on this stripped-down vision of despair. to ensure that this ep looks as mindblowingly sick as it sounds, the vinyl release features stunning, limited-edition full sleeve artwork!

jichael mackson is back and presents 3 masterpieces on stock5. nobody knows like him to flow between dub, techno and electronica and all this in just one track. well, here are three of them. pure live sessions, music created right in the moment, surely with little chips n cracks but thats what makes this music charming, so less digital and previsible.

subtlety is not the first word used in connection with most djs, but there is much more the métier of germany s gregor tresher than simply playing records, as lights from the inside attest: just as a painting or photograph appears to move if one stares at it long enough, with close listening the stratified grooves and melodies assembled on gregor s stunning third full-lenght artist album reveal an organic universe of shifting sound. meticulous attention to the latter element—melody—was of utmost concern to the frankfurt resident. not obvious, eight-bar earworms that would quickly exhaust their welcome, but musical lines that could repeat, develop and intertwine in different patterns. in this regard, lights from the inside harks back to gregor tresher s earlier releases, but as always his sound aesthetic continues to evolve in new directions.

vince watsons bio imprint is now back in full flow, and following on from >pressure< we now have the 2nd installment of the release, with some very exclusive guest mixes and yet another killer track from vince himself. first up is steve rachmad, who has featured on bio before, previously remixing the classic >aurelon< in 2004 ... so he is back this time to give >pressure< the rachmad treatment. a fantastic example of steves production skills and really takes >pressure< into a different direction. absorbing and hypnotic, but with the killer dancefloor twists ... this is what vinces bio music label is all about!

supported by: reboot, sascha dive, ricardo villalobos, markus fix, einzelkind… jax is back !!! after the revolver lp of christian burkhardt & einzelkind we are proud to bring a new face to the scene. max piske from heidelberg delivers two dancefloor anthems for jax. if you like it raw and dirty this on is for you. no more words we let the music do the talking...

this is retrometros first vinyl outing and its worth the wait. the four tracks of sweet soul music from sailor moon take you right back to that time when a bassline could bring a tear to your eye, and a one-note synth line could make your heart burst with joy. simple, raw and emotionally-charged, this ep is as much a love letter to r&s and great, almost forgotten european artists artists like frank de wulf, as it is to the chicago legends like phuture and steve poindexter. thats some deep grooves

again, a new discofil release. this time its a mini lp curated by venice-based dj and producer bottin whos showcasing some of his favourite proto-italo oddities, or if you will, an outing of some of his essential influences, dating back to bottins childhood years in italy. bottins earlier releases has been on quality labels such as eskimo, italians do it better, bear funk, nang and the obscure artifact bootlegs. adding discofil to his impressive catalogue, well the pleasure, the privilege is mine

this is a record that lives up to its name with spacious and cinematic arrangements, layers of subtle percussion, and at times an impenetrable wall of found sound.

dj karotte support !! when benno blome and jens bond were hanging out in bennos studio the other day they suddenly found themselves on the floor looking for their heads. they must have fallen off, while producing some new bond & blome-beats. having found their heads again, and put them back on, they continued, and finally came up with the lose their heads ep. after a couple of 12inches for sender records (tentacular, control your soul) during the past years, they now armed forces to release on senders new sublabel senzen. also thanks to the fantastic remixes from onno and acumen, this whole package is ready to rumble all over the dancefloors of the universe. you can leave your hat on, while you lose your head!.

true to form, souvenir are back with a snappy summertime release perfectly hinged & ready for sweeping the dancefloors. souvenir 036 various artists features lewis boardman & maher daniel blending their sounds, and converging on this ep for some magnificent effects. the a side starts out with daniel - he is a new, but solid name amongst the techno-gambit, having released on labels such as get physical & bedrock, as well as on souvenir. while his remix workings of >rumblefish< earned him a 2 1/2 month long-spot as number one on the techno charts. with >here and now< with dark, driving techno that sounds like its been made inside of a blazing house-fire. burning & singed, the the layers fall heavy upon one another - with a penetrating dancefloor deep-ness to the bass. next up, >icaros< on the inside a track…spins a dark & deep nighttime soundscape, deep into the depths of a jungle somewhere. a distant & hollow vocal of a tribesman hums hauntingly in the distance, with a severe & driving bassline to make you run like a scared little raver deep into the jungle. on the b side, boardman takes over, one of the uks newest talents - recently remixing for nina kraviz & yousef - with >tranquilizer,< on b2 is quite a minimal retreat…with some intergalactic space-fight sounds thrown into the mix, alongside the rolling bass, and chug-chugging. b2 enters the title track, >the broken is beautiful.< a nice, chugging bass-line meets a ethereal chopped up vocal, carefully flowing in & out of the bass-line….to meet up strong midway thru the breakdown

nice price deal !!! nice price deal !!! kleinstadtfeeling is back with another must-have spring record! just listen to the music